And digital is great. In the other side of the moon, we have Digital! But I wasn’t thinking it through – I shot the same film in it! Post was not sent - check your email addresses!

One of the advantages of digital is you can adjust the ISO. Occasionally I also use Kodak Colorplus 200 alongside Fuji products. I hadn’t thought about the scanning having a role. Jim Grey takes photographs with vintage cameras, drives the old roads, and writes about his life. But to me, I enjoy the feel of this, which is why I choose this film stock a lot when shooting.

Being part of a bigger plan than ourselves, could be our whole reason to be here.

Found a bunch at a scratch & dent in Pennsylvania. Creates a Stunning Look With Its Fine Adjustments in Tone, Superia 400 preset is for Lightroom Mobile, Desktop and…. This is the Superia 400 preset in action outdoors: it boosts the colors of nature incredibly well and helps you produce amazing landscape photos.

Exciting at a buck a roll!

It’s not entirely fair that I’ve compared Superia X-tra 400 to Ektar 100 a few times here. You can see his work at:

Your email address will not be published. But it turns out that while Fujicolor 200 has the usual three layers of color-sensitive material, one each for red, green, and blue, the Superia X-tra films all add a fourth layer meant to render greens and violets more accurately. Fuji Superia 400 (expired 2009) shot at 200.

I can see it might never truly connect with me.

You can also find Jessica’s other Shoot It With Film articles here. For 400 speed, I find that Portra has acceptable grain for a “fast” color film. Great pictures Jim, but I think Joe’s initial thoughts were partly right; I definitely think the grain has been accentuated by sharpening during the scanning.

I can see why 400 speed color has never connected with you. Then, while shooting at 200 ISO, do you still meter for shadows ? How did you expose for this shot?

And when I need to take candid shots indoors, this film’s faster brother, Superia X-tra 800, gives me one more stop of exposure with no noticeable increase in grain. Nice photos. Weekends comes and go, but sometimes, we just let them pass without any significance or meaning.

Sometimes, when I look up at the night sky I ask for wisdom to answer to myself “why?”. Superia 100 and 400 …

It softens shadows, increases whites, deepens blacks. When you examine the photo above, you can see right away that it has a rough feel to it, something unlike what you would get with Portra 400 or Ilford HP5. Since its introduction, this film stock has been manufactured in 100, 200, 400, 800, and 1600 speeds.

Thank you so much, Jessica!

All this next photos were shot on 24th february 2016. Le film Fujicolor Superia X-tra 400 est conçu pour satisfaire les besoins du grand public.

I confess! A secret scheme that one day brought this two wonderful souls together. Let’s take a look at some examples using Fujifilm’s Superia X-TRA 400 film below so we can see some of the benefits and qualities of using this film stock. I finished the roll at home. When shooting a 400 film at 200 do you let the lab know to compensate for the exposure or develop as is?

— Fuji Superia 400. As long as you have plenty of light, this film is perfect for landscapes, portraits, and both personal and professional shooting. Join us for weekly film photography inspiration and tutorials. I think the Fuji films are hard to beat for price and results. However, the possibility of undesirable effects on color balance, due to various factors (the type of flash used and amount of time used, etc.)

It’s my son’s car.

I’ve had pretty bad results from all sorts of film when I was paying for lab scans (at 3 different serious development labs), and started getting significantly different and much better results from the same negatives after I got my own Nikon Coolscan IV. We are not in this world by chance.

The preset creates this effect by increasing the exposure and contrast of the image.

I don’t think you could ask much more of a low light film. Learn how your comment data is processed. I’d want it to handle 35mm and 120, though. Pingback: VSCO FILM 02 - The Missing Guide - Nate Photographic, I really like the Superia film, but I found that the scanner makes a huge difference in my experience with any film. I shoot just enough 120 to make it worthwhile to scan my own. As I was cross-processing other color negative films in the old ORWO C-9165 process, Fuji Superia 100 also had its chance. But that’s the beauty and versatility of digital files! A buck a roll!

It handles skin tones well because of the brightening, plus a split-tone adjustment in highlights and shadows.

(slightly out of focus) Fabian Madrigal, a very talented photographer that I had the luck to meet! Not only that, the preset also does a great job producing this Superia’s ISO 400 look: it brightens images and adds fine grains to account for its light sensitivity. I’m still trying to find my own reason to be here. I guessed on them! Captivating Tones.

The last key benefit that we’re going to discuss is the results of this film while using an external flash., Mount Cook, New Zealand Sorry you’re not a big fan of the 400 yet, it’s still a favorite of mine, though looking at that blue sky, I’d say you’re right about the noise.

That’s particularly apparent in the shot of the car, which I would saying is almost all sharpening artifacts rather than grain. I live in a warmer part of the country at 600 meters above sea level. Oh, and I had not noticed additional sharpening in Flickr. Even good old Fujicolor 200 would have been a lower-grain choice.

I frequently have two cameras slung over my shoulders. The colder temperatures at 3490 meters above the sea, were to much for me to handle. She is my cousin Paula. Lastly, to give images that unmistakable film polish, it also adds fine stylistic grains.

You can see more of Jessica’s work on her website and Instagram. So drawn one day at my neighborhood Walgreens, I found a four-pack of Fujifilm Superia X-tra 400 for $3.97. Developed at home @1 stop with C41 process. Oh, this film isn’t so bad. I love this stock because I can leave it in my camera all day and shoot in all kinds of light and scenarios.

But I’m coming to appreciate how films of 400 ISO and above are best for gray days and indoors no-flash work. I couldn’t pass up this deal either.

But honestly, if I find this film for a buck a roll again I’ll buy as much as they have and shoot it with no complaints. I’m kind of the opposite of you, I’ve almost always used 100 or 400, once in a while 800 but almost never 200. It works best rated at 200 and metered for the shadows.

Thanks! This Superia 400 preset looks stunning on prints and as a filter to your Instagram photos!

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If you learn how to develop your own rolls (it’s very easy, actually), you’ll feel more involved in the whole photographic process. It is, as Fuji claims, daylight balanced: colors are vivid and tones appear crisp. Hey!
These negatives are packed away and would be considerable trouble to find, but I am confident that this film is Superia X-tra 400. Ever tried developing your own film?

Si vous continuez à utiliser ce site, nous supposerons que vous en êtes satisfait. The Superia 400 preset has made them warmer and more complex. Developed in Firstcall C-41 prediluted at 37 °C for 4 min 45 (10th film developed in same solution).

Sometimes I shot … To make it even better, with this brightening effect is also the amplified contrast: look at the woman’s vivid shirt in the After photo. This stunning effect is a result of Superia 400 preset’s distinct blend in tone. Its high-contrast tones have... Download Gold Dunes is a premium Lightroom preset that casts a golden glow on images, whether shot indoors or outdoors.... Download Free 200 Max is a free Lightroom preset that give your photos a vintage film flair. Your email address will not be published.

Using Film or a digital sensor, it’s just the way that you choose to capture moments.

It should be more popular than it is. Many photographers would use the Fuji Superia 400 for portraits because of how it enhances skin tones and processes colors in clothing. However, there will be a big difference if you are using flash + daylight or just flash lighting. Yes! Fuji Superia 400 – A personal favorite.

For everyday color work the Fujicolor 200 works fine and is a little less expensive. In the end, no matter if you choose digital or if you want to try film (for a change).


Now, many of the 120 format film stocks have been completely discontinued, and many of the Supera film stocks have been discontinued in the United States and sold in limited quantities in Japan and overseas. Do you know what was the one you got? I was able to hand hold the camera at shutter speeds of 1/5 of a second, only with moonlight and occasional spotlights of artificial light. It bumps the colors to the perfect vibrancy for my taste.

Leave your questions about Fuji Superia 400 in the comments, and if you want to pick up some for yourself, grab it on Amazon here!

Check out the video below to learn about some more of the features: One of the first things that you will notice when shooting with Superia X-TRA 400 is the grain. It is a cozy type of warmth that adds a magical feel somehow. I do all neutral settings with the fuji frontier scanner. And like you’d I’d keep shooting with it for that price.

Superia 400 benefits a little from overexposure. (Superia 400). Film Is Undead. Yes! Electronic flash produces light similar to daylight, so filters are not needed. Fujicolor Supiera X-TRA 400 is one of the most affordable, adaptable film stocks on the market and it has been around, competing with the likes of Kodak and Ilford,  since the early 2000’s. I was prepared to blame it on your scan, then I went back and took a look at whatever I had where I shot the sky with 400 and have the same problem. They tend to sharpen the amount required to make decent 6×4 prints, and I find with my prints that grain / noise is far more subtle than on the screen.

At dusk and in low indoor light, it will start to do this.

My idea was to take some Portra 400 and some Fuji ProH 400 but I couldn’t find any Portra so I toke some Fuji ProH 400 and some Superia 200. Simply look at that captivating After image: colors pop, tones add exquisite depth, and both highlights and shadows blend better with their subtle tints. Superia 400 free Lightroom preset replicates the signature look of the Fuji Superia 400 film.

Notice how green and vivid the grass and trees are now. I cant even remember the settings. Just follow your inner voice and be as curious as a cat. More» Superia 100 and 400 were also available in 12o format. We hope that you enjoyed learning about the history and the qualities of Fujifilm’s Superia X-TRA 40o film stock.


200 film is kind of a compromise to be sure, and one that is probably not truly necessary. It starts to get muddy and grainy.

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